Gothic Criticism Flashcard

Gothic Criticism

Miles Davis contribution to African American music

Miles Davis contribution to African American music The history of African American music is long and rich in content. This is why the question about who qualifies as the greatest African American musician of all time always elicits big debates. When it comes to the greatest African American musician of all time, more than a dozen names come up. There are those who came earlier like Duke Ellington, Louis Armstrong, and Charlie Parker.Advertising We will write a custom essay sample on Miles Davis contribution to African American music specifically for you for only $16.05 $11/page Learn More Then there are later participants like Al Green, Jimi Hendrix, and Marvin Gaye. Both lists feature personalities of great talent. Most of these musicians qualify for the title of the greatest musician. However, when it comes to modern music, I believe Jazz musician Miles Davis deserves this title. Miles, a Jazz trumpeter has his origins in Missouri. This paper will trace Miles’ roots, his career, his contribution to African American music, and his influences. Unlike most African Americans of his time, Miles was brought up in a wealthy household. He was born in 1926 in Alton Illinois. His father Henry Davis was a successful dentist. His family owned a big town house as well as a 100-acre ranch. In his younger days, Miles frequented the ranch where he loved to ride horses. When he was young, Davis’ mother wanted her son to learn how to play the piano. However, when he was about thirteen years old, his father gave him a trumpet. After noting the young boy’s interest in the instrument, Miles’ father decided to hire a tutor for his son. Therefore, St. Louis’ musician Elwood Buchanan became Mile’s first trumpet teacher. Buchanan was the one who taught Miles how to play the trumpet without vibrato. Miles used this style throughout his career. Miles Davis was once quoted commenting on the role music played in his life. He said that music was â€Å"like a curse† to him because it dominated his every thought. However, as a young boy Miles dreamt of being a baseball player. This all changed when his father gave him his first trumpet. At Lincoln high school, Miles’ talent was well known. It is said that his first encounters with jazz were on St. Louis-Mississippi’s riverboats where artists were paid to entertain commuters.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Miles showed great talent when it came to playing the Trumpet. By the time he was seventeen years old, Miles had already managed to penetrate the music society. When in high school, Miles used to follow the performances of Charlie Parker and Dizzy Gillespie. Finally, the two musicians asked Miles to replace a sick trumpeter in their band. This incident marked Miles’ first appearance with a popular band. After a few gigs with Charlie Parker’s band, Mile s moved to New York to study music. This was right after he had graduated from high school and Miles thought that a chance to study classical music at the prestigious Juilliard Music School would help launch his career. After arriving in New York, Miles sought to continue his music relationship with Tony Parker. After he succeeded in doing so, Miles would be a student in the daytime and a professional musician at night. It was during these night jam sessions at Harlem nightclubs that he got the chance to interact with several musicians. Later in his career, he ended up collaborating with most of these musicians. Mile Davis is considered a pioneer of bebop style of jazz. However, this style was invented by Charlie Parker one of Miles’ earliest jazz influences (Gridley and Cutler 34). This style would later be one of the main influences of modern jazz. When studying music at Juilliard, Miles had a hard time adjusting to the school’s mostly European Classical music curric ulum. It is possibly the reason why Miles opted to drop out of the school with his father’s blessings. However, in his biography Miles admitted to benefitting greatly from the training he got during his stint at the music school. After dropping out of music school, Miles became a full time Jazz musician. The first band he worked with was Charlie Parker’s Quintet. Miles continued to work closely with Parker between 1945 and 1948. During the many times Davis recorded with Parker, it was becoming clear that he was already breaking out with a unique style. This style featured a deviation of Parker’s bebop style and it was later to be known as Cool Jazz (Meadows 98). When with Parker’s quintet band, Miles Davis had the chance of touring expansively across the United States. It was during one of such tours in Los Angeles that Parker suffered a mental breakdown and had to be hospitalized for a few weeks. Following Parker’s absence, Davis found himself wit hout a permanent band. It was during this period that Miles experimented and finally found his unique playing style.Advertising We will write a custom essay sample on Miles Davis contribution to African American music specifically for you for only $16.05 $11/page Learn More During this period, Davis teamed up with other jazz artists like Charles Mingus and Billy Eckstine (Stewart 197). After Parker came out of the hospital, his relationship with Miles began becoming more strained. Finally, the two parted ways in 1948. In 1949, Miles formed a band that featured his original ideas. The band incorporated extraordinary instruments such as the tuba. Using this band, Miles was able to make the first significant contribution to jazz music through his album â€Å"The Birth of Cool† (Meadows 45). His collaboration with composer and arranger Bill Evans was a significant development in the realization of this project. His band at the time consisted of musician Roach, piano player John Lewis, and Saxophone player Gerry Mulligan. Initially, there was controversy over the inclusion of white members in Miles’ band. Soon after, Miles moved on to another band that he co-lead with piano player Tad Dameron. However, Davis’ career hit a roadblock when a heroin addiction proved too hard to manage. By 1950, Miles’ recordings had become more haphazard mostly because of his drug problem. However, in 1951 he signed a deal to record for Prestige Records. His work for this label continued for the next few years. Somewhere in the mid 1950s, Davis was able to overcome his addiction and focus solely on his music. The strongest indication that he had completely recovered was during his performance of â€Å"Round Midnight† during the Newport Jazz festival in 1955. This particular performance caught the eye of executives at Columbia Records a major recording label at the time. He then signed a very prestigious deal with the company. His financial security made it possible for him to form a permanent band. In 1955, his Quintet began work on the band’s debut album at Columbia. The album was titled â€Å"Round about Midnight†. This band included drummer Philly Joe, base guitarist Paul Chambers, Saxophonist John Coltrane, and Red Garland as the pianist. His previous contract with Prestige Records was however not over and he still had some work left. This meant he had to work with two recording outfits at the time. However, his new permanent band enabled him to finish his previous commitment with Prestige Records. This band also became one of Miles most recorded outfits. Later on, Miles again teamed up with Bill Evans to work on his second project for the new label. The album was called â€Å"Miles Ahead† and it included the flugelhorn as the lead instrument.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More This album was later inducted into the Grammy hall of fame. After the release of this album in 1958, Miles Davis went to Paris where he met Cannonball Adderley an adept saxophone player. He then made the saxophonist an addition to his band making it a sextet. This new band’s first project was the album â€Å"Milestones†. In July 1958, Miles collaborated with composer Bill Evans and an orchestra to record a compilation that was known as â€Å"Porgy and Bess†. By that time Miles had began experimenting with his sextet. He was trying to make his inventions based on music-scales as opposed to chord-changes. His next album â€Å"Kind of Blue† featured some of these experimentations and it went on to become one of the most influential jazz albums to date. The album is practically his most popular recording and it managed to sell over two million copies. This is quite a milestone especially for a jazz album. From that time onwards, Miles formed a pattern of alte rnating his releases between collaborations with Evans and work with his sextet. One of his collaborations with Evans was â€Å"Sketches of Pain† an album that featured traditional Spanish music. The album was quite successful. His subsequent works mostly featured Coltrane, the sixth member of his band, as a guest. His quintet was also involved in the recording of two LP sets in 1961. In 1963, Miles recorded the album â€Å"Seven Steps to Heaven† using a completely new outfit. He featured future jazz heavy weights like Tony Williams and Ron Carter. The album performed well in both the charts and the awards circuit managing to earn a double nomination at the Grammys. Using a saxophonist from his 1958 band and other players from his 1963 band, Miles was able to record back-to-back successful albums. These albums featured original compositions and they include â€Å"Miles in the Sky†, â€Å"Files de Kilimanjaro†, â€Å"Sorcerer†, and â€Å"Nefertitià ¢â‚¬  In the following years, Miles kept alternating between old and new band members. With his new album of 1969 â€Å"In a Silent Way†, Miles was able to come up with an original Jazz-rock fusion. â€Å"Bitches Brew† was the most successful album that featured this new genre. In 1971, he was able to record five albums using this popular genre. In the following year, Miles was involved in a car accident that rendered him inactive for the next five years. During this period, he fell back into alcohol and cocaine addiction. In 1980, he made a recovery from his drug addiction and made a successful comeback with â€Å"The Man with the Horn†. Thereafter, he went on a successful tour. However, by this time he was already an honorary jazz-musician godfather. The next years marked an extensive touring period for Miles. He however continued to record music. His last recording was a collaboration with the famous musician Quincy Jones. Miles Davis suffered from respirato ry complications that took his life in1991. Some of his music was released posthumously. He also managed to win a Grammy award in 1993. During his later years, Miles refused to perform his earlier recordings. When asked why he did not want to play them, he simply said that their influence was over (Iyer 56). Nevertheless, there were those who felt that his earlier work was more solid content-wise. Miles is undoubtedly one of the greatest musicians in the history of African American Music. His innovative approach to music has come to dominate modern music. The Rolling Stone magazine noted that Miles was influential in every change assumed by Jazz music from the late 1940s. His role in this change has always been controversial. There is no other musician in the history of Jazz music that came close to Miles in terms of influence. His â€Å"Kind of Blue† album is still the best selling jazz album to date (OMeally 135). The album was also recognized by the United States House of Representatives. Miles has influenced tens of jazz musicians. Many other musicians also rose to prominence after being members of Miles’ ensembles. One of the things that made Miles such a great performer was his incorporation of traditional African American Music into his work. For instance, his love for Blues was particularly great. Miles also managed to preserve some of the greatest elements of African American music in his recordings over the four decades he was active. Gridley, Mark and David Cutler. Jazz Styles, Englewood Cliffs, NJ: Prentice-Hall, 1978. Print. Iyer, Vijay. Microtiming in African-American Music. Music Perception 19.3 (2002): 387- 414. Print. Meadows, Eddie. Bebop to Cool: Context, Ideology, and Musical Identity, New York: Praeger Publishers, 2003. Print. OMeally, Robert. The Jazz Cadence of American Culture, New York: Columbia University Press, 1998. Print. Stewart, Earl. African American Music: An Introduction, New York: Schirmer Books, 1998. Print.

Non-identity problem and the ethics of climate change Essay

Non-identity problem and the ethics of climate change - Essay Example The incoming research will prove our current choices should not deter the pace of development since nature has a way of providing its recipients. As such, humankind should stop taking responsibility of non-identity problem. According to scientist, when it comes to climate change, the future generation will depend on the decisions we make now. However, these decisions are made by a few who happen to own or control the authority. The adoption of neither regime will result to distant successors leading lives, which are not worth living. Convincingly, it appears that the adoption of Kyoto protocol over-contraction and convergence will not result in any particular future persons that are harmed so long as we hold that harmed person worse off than it would have been had the harming actions, which were performed. Reflectively, choosing Kyoto Lite would benefits more members currently as well as, future generations that will require extensive sacrifices of the contraction and convergence that will require developed countries to reduced the well being of different persons. The underlying argument is that if we believe that ethics and justice are identities which dependent on the structure, then the actions of t hat particular believe might change over time. To defragment the above statement logically, we invite the non-identity problem. Non-identity problem questions our duties to future generations. As noted, duties to these descendants whose identities are beyond our current influence are those which instruct our current behavior. Justifiably, the Kyoto protocol grounded its identity on independent goals such as utility maximization or the perfection of the human species. However, there are deontological concerns and objections that are applied to explain the wrong-doing in such cases. These are the intentions and state of mind of policy choosers. Reflectively, since-oriented or the identity

LAW AND CONTRACT Essay Example | Topics and Well Written Essays - 2000 words

LAW AND CONTRACT - Essay Example A partnership business is one which is run by two or more people together. An agreement in writing is required that clearly states the terms and conditions on how to run the business without harming the interest of either of the parties. The sharing of the company profits would be either equal distribution or according to the terms that are given in the written legal agreement. Also the liabilities are also shared in the same manner as the profits. With the Limited Liability Partnerships Act, partners can profit from limited liability and reap tax advantages. The liability protection of the corporation is the major advantage of the owners of a Limited Liability company. A limited liability company is a separate entity which is similar to a corporation. The members cannot be in any way held responsible for any sort of liabilities unless they agree upon by signing a personal guarantee. Companies having a limited liability have varied options for distribution of profits. The profit distribution need not be 50-50 like partnership firms. Flexibility in the distribution of profits is higher for limited liability companies. In the United Kingdom, the Companies House is the one that is responsible for the registration of a company. Prior to the formation of a company as a private limited entity, it is compulsory that the firm registers with the Companies House. A) Merits of Purchasing Freehold or Leasehold Property - Leasehold property purchase is believed to be a smart real estate. Leasehold property means the property is owned by the buyer for a set number of years, as specified in the lease agreement. There is always a chance of earning substantial profit in a leasehold deal. In a long-term lease option, there are three profit centers for the investor. They are option money, monthly cash flow and back end profit. The buyer would pay only the ground rent and will enjoy by owning the property and the land on which the property stands outright. B) Usual repair Covenant for Leasehold property - The terms of a lease agreement are generally treated as covenants even where the agreement is not made by deed. Indeed, a lease of duration less than three years need not even be made in writing, and certain covenants will be held to exist. The basic principle is that when a covenant for repair exists and when the same is breached, the offended party has the right to recover damages for their loss, provided it is an actual loss but not a hypothetical one. The following covenants are required by the landlord for any lease, even a weekly tenancy granted

Contract law research Paper Example | Topics and Well Written Essays - 2750 words

Contract law - Research Paper Example As earlier mentioned, a contract refers to a relationship of exchange that is either written or oral agreement between persons. This relationship contains one or more promises, which are legally enforceable. Several crucial elements are reflected by this definition of a contract. They include the following: the first element of an indenture is that, it is an agreement that is either written or oral between a minimum of two persons. This element implies that one cannot make a contract with oneself. The relationship in a contract is consensual and voluntary, meaning that no one is coerced to sign a contract. Even, though, the minimum number of people required in signing a contract is two, the transaction can involve a limitless number of parties. The parties create a contract with intent and free will to be bound, and they reach an agreement concerning vital provisions of the relationship. A contractual obligation is distinguished from other legal duties by the agreement element. The s econd element is that a contract is a relationship of exchange that is based on the principle of offer and acceptance. This element emphasizes that the parties who enter in to a contract are bound together by the by a commodity that they are exchanging. Minimum interaction is involved in a number of contractual relationships (Blum, 2007). For instance, if an individual enters into a contract to have his hair cut, the barber will perform a quick activity of trimming his hair and the individual will honor his obligation by paying for the services. These two activities will mark the end of the contractual relationship. On the contrary, contractual relationships like supply contracts or leases could last for several years, and the parties involved engaging into constant dealings that are controlled by the provisions stated in the agreement. A contract relationship has an essential purpose which is exchange. Society and the economy require the trade of intangible rights, services and pro perty. These exchanges are regulated and facilitated by a contract as part of its chief role. Therefore, a contract carries with it the principle of reciprocity, in which one must part with something to get something back. The third essential element is that a contract should have a minimum of one promise, which is made with a hope of being honored in a later date as per the agreements. A contract is not constituted in the instantaneous exchanges, even though they involve a trade and are consensual (Blum, 2007). A promise, therefore, goes beyond the agreement instance as a future commitment. If both parties honor their side of the commitment at the expiry of the agreed duration, then there will be no need of involving the law in contracts. Contract law comes in incase of breach of contractual agreement by either of the parties. Last but not least, a contract has an

Making Renewable Energy SMART using Internet of Things (IOT)

Making Renewable Energy SMART using Internet of Things (IOT) Manuj Darbar, Kripa Shankar Pathak, Rajesh Goel Abstract: The paper highlights the cooperative behaviour of Multi agent systems by combining various renewal energy sources and then feeding the power to the grid. The process uses 6LoWPAN protocol to communicate with each other and C-ARTAGOs interface control with Guarde properties to intelligently manage the demand and supply. Keywords: SMART Grids, Renewal Energy sources, IoT. 1.0 INTRODUCTION Renewal energy is inspired by natural resources for energy conversion. Till date natural resources which are exploited for conversion of energy are: Wind, Biomass and Solar Power with the upsurge in energy demand countries are switching to alternative energy sources. These alternative sources could be Wind, Biomass or Solar Energy. Denmark tops the list with a very high penetration of renewal energy producing nearly 20% of total electricity demand. There is a paradigm shift from traditional method of generating power to renewal energy systems. There are two broad areas of research in renewal energy: Energy Transition, Energy Storage. Energy transition deals with conversion of natural energy into some form (Generally Electrical, Energy storage refers to store the energy generated by Natural resource generally solar cells uphill now manufacturers are using Conventional method of installing these energy sources, with the development of Internet of things the objects are made SMART. They can adjust output according to environment making them adaptive[2,3]. Unlike conventional internet, IOT supportive device usage with a very low bandwidth moreover the transmission is also inter sensor the novelty in this research area is to derive maximum efficiency from the entire setup. Each of the device will have an embedded chip sensor grid and communication link of all the connectivity nodes which are finally converted to cloud (P-cloud) for processing. For instance let up take the case of wind turbine, is case of any dynamic change in the operation of one turbine it is to be communicated to the cloud and all the turbines in li ne with turbine automatically adjust themselves, a self healing Immunization is injected which tunes the particular turbine in line with the other turbines. To manage the coherency between generation and storage battery signals and other parameters are sent to cloud for processing accordingly an adjustment/find turn of signal is generated to maintain the rhythm. Nowadays a new operating system like Windows and Linux has been developed specially catering to the needs of Internet of Things (IOT) named Contiki. Similarly we can apply for solar cell where a cell submits its health report on P-cloud on regular intervals. Some of the embedded systems supporting IOT are XBee, Rasberey pie and Cognitive Radio[8,9] Supporting Extended Environmental Markup Language, a type of XML document used in PACHUBED (suitable for public upload, download and display of data for Internet connected Networks. 2.0 MODEL DEVELOPMENT The paper highlights the development of a Toolkit for efficient management of Wind Energy and Solar Energy and feeding into the grid. In order to achieve synchronization between Wind grid, Solar Grid and existing grid we use the concept of Multi-agent system. These intelligent agents are integrated to a form self organizing net using swarming technique. Each of the wind mill and solar grid is connected by 6 LOWPAN Sensor devices. 6 LOWPAN is made up of Low-power wireless are networks. Which are IPV6 stub network. An Ad LOWPAN is not connected to the internet that operates without infrastructure. Figure 1 : Layer Architecture 6 LOWPAN In our framework we will be using Extended LOWPAN consisting of multiple edge routers. LOWPAN works on the principle of neighbor discovery (ND) LOWPAN needs participate in more than one LOWPAN at the same time also known as multi-homing. The protocol stack of 6 LOWPAN Protocol stack consists of Application, Transport, Network, Data Link and Physical. The Architecture of 6 LOWPAN consists of 1 Pv6 Internet connected to Remote sensor and an Edge Router which is connected with P2P link. This Edge Router consists of various Nodes of 6 LOWPAN (Figure 2) Figure 2: 6 LOWPAN Connection (Adopted from 6 LOWPAN – The wireless embedded Internet) Neighbor Discovery in LOWPAN includes a built in feature for dealing with Micro mobility. All the messages generated are being monitored and tracked by the Central Control Unit which feeds the power to the grid. Consider a scenario where grid of Wind Mills is installed, a grid of solar cells (figure 3). Figure 3: Multi-Agent System for Autonomic Control The above figure highlights the 6 LOWPAN sensor networks which is connected to each Wind Mill and Solar Panels. It is connected to the Control Centre by the help of an interface using 1Pv6 server and P2P connection by the Edge Router. The real time protocol for streaming the signals uses UDP which is an widely used for sensor data streams. The use Web services by the Control Centre helps in linking the current weather conditions (Sunny) or (windy) to Grid synchronizer which informs the Grid about the necessary invariability and power delivery in the Grid. In order to simulate the entire set-up we use the concept of C-ArtAgo developed by Alassendro Ricei et al. [1]. It is a platform for providing a general-purpose programming model. It works on two different aspects Agents and Artifacts. It is modeled in terms of set of artifacts programmed by MAS. Secondly the artifact collaborate each other using the combination of 6 LOWPAN communication[3,5,7] defined in FIPA standard protocols. The FIPA protocol[10,11] uses some of the concept of high-level interaction. It is categorised into three sections: (1) Basic Protocols (2) Network Protocol Contractual FIPA (3) Protocols FIPA Auctions. Since the Network protocol and Protocols FIPA Auctions are used when a electronic commerce has to be established. We will be using Basic Protocols of FIPA. The FIPA Basic Protocol allows an agent to request to another agent to perform certain action. It is combined with 6 LOWPAN Protocol to generate a standard set of communication link given in figure 4. Figure 4: AUML Representation of 6 LOWPAN FIPA Protocol quarry. This protocol allows an agent to request to another agent to perform certain action. The agent on receiving the request indicates whether it accepts or rejects the request. The FIPA protocol is further supported by conditional quarry protocol FIPA which allows an agent to request agent to perform an action when a certain condition is satisfied. The request protocol allows an agent to make an inquiry. The Agent on accepting the request can than acceptor refuse to provide information. (C-ArtAgo has a layerical structure with MAS acting as an middle layer. (figure 5) Figure 5 : Layerical Representation of MAS with CARTAGO Consider a scenario where we have to integrate Solar grid, Wind Grid and Normal Supply side grid by using guidance from the Web Service agent. The Web service agent we have used here are: The Weather services and Load Demand services provided by distribution agencies. In order to collaborate all the above entities we treat them as intelligent agents. In order to collaborate all the above agents we use (C-ARTAGOs usage interface control with Guarde properties. The operation control is either enabled or disabled. The Agent side side Use is used to trigger the Action, if USE + ENABLED then Action is Triggered otherwise the Action is stopped / Suspended. The sample program using Guard is described as: import alice.catrago.*; import java.until.*; public class Intelligent Agent extends Artifact { private Linked List sensor; void init (int max){ Sensors = new LinkedList define ( ) bsproperty (max-sensors, nmax); define Obs property (n_sensors,0); } @OPERATION (guard = n_sensors = active) void sense (device Id) {sensors.add (sensor); updatedObsProperty (n_IPv6, services, sensor.udp); } @GUARD boolean Grid Demand Not Full (set sensors) {intmax Agents = getobsProperty (max_agents). int value ( ) ; return agent size ( ) } } The above code deals with the problem of concurrent systems which requires effective coordination between produces agent (Solar Agent Windmill Agent) and SupplyAgent (The Supply grid). The use of Guard operation in Boolean option provides a necessary control giving the exact amount of Windmills / Solar panels currently active and based on Web service agent communication and the grid requirement the Boolean values change accordingly. 4.0 Conclusion: The paper introduces a framework for specifying the interaction between various types of intelligent agents. The coordination between the solar agent and Wind Mill agent is achieved by 6LOWPAN devices connected on IPv6 environment. The communication is achieved by Web Senor connected with Web services which guides about the environmental conditions and Peak Demand variations which is going to come in next couple of days. System uses FIPA protocol architecture for multi agent coordination. References: Book Section: [1] Alessandro Piunti, Michele A Viroli, Mirko A Omicini, Andrea Amal, Environment Programming in CArtAgO†, pp: 259-2188, Multi Agen Programming, 2009, Springer US. Research Papers: [2] Lehtoranta, O., Seppà ¤là ¤, J., Koivisto, H., and Koivo, H., â€Å"Adaptive District Heat Load Forecasting using Neural Networks†, in Proceedings of Third International Symposium on Soft Computing for Industry, Maui, USA, 2000. [3] M Darbari, VK Singh, R Asthana, â€Å"N-Dimensional Self Organizing Petrinets for Urban Traffic Modeling†, International Journal of Computer Science Issues (IJCSI) 7 (4), 37-40, 2010. [4] N Dhanda, M Darbari, NJ Ahuja, â€Å"Development of Multi Agent Activity Theory e-Learning (MATeL) Framework Focusing on Indian Scenario† , International Review on Computers Software 7 (4), 1624-1628, 2012. [5] M Darbari, VK Singh, R Asthana, S Prakash, â€Å"N-Dimensional Self Organizing Petrinets for Urban Traffic Modeling†, International Journal of Computer Science Issues (IJCSI) 7 (4), 37-40, 2010. [6] M Darbari, P Sahai, â€Å"Adaptive e-learning using Granulerised Agent Framework†, International Journal of Scientific and Engineering Research 5 (3), 167-171,2014. [7] Mà ¼ller, J.P., â€Å"A Cooperation Model for Autonomous Agents†, Intelligent Agents III, Springer, 1997. [8] Malone, T., and Crowston, K., â€Å"The interdisciplinary study of coordination†,  ACM Computing Surveys,V ol. 26(1), 1994. [9] Nwana, H.S., Lee, L., Jennings, N.R., â€Å"Co-ordination in software agents systems†, BT Technology Journal. Vol 14(4), 1996. [10] Shoham, Y., and Tennenholtz, M., â€Å"On the synthesis of useful social laws for artificial agent societies†, in Proceedings of the 10th National Conference on Artificial Intelligence, pp. 276-281, 1992. [11] Wooldridge, M., Jennings, N.J., and Kinny, D., â€Å"The Gaia Methodology for Agent-Oriented Analysis and Design†, Journal of Autonomous Agents and Multi-Agent Systems, Vol. 3(3) pp.285-312, 2000.

Cover Bands :: essays research papers

Is the cover a good thing or a bad thing? Are there any cover songs that you have heard and have grown to like more than the original? Perhaps there are songs that you have heard and have later come to the realization that it is indeed a cover song. This is the case for me. However, my feelings on cover songs vary depending on the particular instance. I think the cover is a good thing now days. There are many new songs that I have heard and have later realized that it is a cover song. I probably would have never heard the original song if it wasn’t covered. On the other hand, in the 50s when rock and roll was building a foundation for itself, I believe that cover songs were a bad thing.   Ã‚  Ã‚  Ã‚  Ã‚  First, I would like to explain why I believe that cover songs are now a good thing. â€Å"Behind Blue Eyes† covered by Limp Bizkit is a song that I would have never heard had it not been covered. The Who originally recorded this song in 1971. Limp Bizkit is an alternative band that many younger people have great interest in. Many people my age are not as interested in what is now called â€Å"Classic Rock† as they are in alternative music. Therefore, this song would have never been heard if it wasn’t for Limp Bizkit. Another good example of a song that has been covered is â€Å"Simple Man† by Shinedown. This song was originally recorded by Lynyrd Skynyrd in 1973. This is another example of a song that younger generations would not have heard if it wasn’t covered by Shinedown. However, a person may ask â€Å"Is it fair for the original artist if one of their songs is covered?† I believe the answer to this question is yes. M any artists that have covered songs have also had their songs covered. This causes a never-ending loop of music that seeks different genres of music and also people of different ages.   Ã‚  Ã‚  Ã‚  Ã‚  On the other hand, I believe that cover songs in the 50s were a bad thing. These songs were covered for different purposes than they are today. Race was the primary issue as to why many songs were covered. Perhaps the key song for rock and roll that has been covered is â€Å"Rock Around the Clock† originally recorded by Sonny Dae and His Knights in 1954.